摘要
在对中西"情物关系"的研究对比中,我们发现彼此呈现出两种不同的形式。中国是由物到情,情和物的地位是平等的;西方是由情到物,更加偏重于主体的情感。到20世纪初,在王国维反"游词"和西方表现主义的对比中,我们能在两者之间发现其共通之处,那就是"情物结合"的创作方式已经成为中西文化沟通的重要方面,从而更加明晰中西情物关系的互释性和共通性。
It has been found that there are two different forms of the relationship between emotion and object in China and the west. China is from object to emotion and the two are equal, while the west is from emotion to object and emphasizes emtion of the subject more. In the beginning of the 20th century, with the contrast of Wang Guowei's scorn for exaggerating rhetoric and the western expressionism, the common sense can be found between the two, that is, the combination of emotion and object has become a creation way for Chinese and western cultural communication, which can clarify more the mutual interpretation and common sense of both of them.
出处
《合肥学院学报(社会科学版)》
2015年第4期84-86,104,共4页
Journal of Hefei University:Social Sciences
关键词
王国维
情物关系
西方表现主义
Wang Guowei
relationship between emotion and object
western expressionism