佛缘与禅趣——以《禅缘组壶》的创作为例

Buddhist Origin and Dhyana Interest ——With Examples of Mi Le Teapot and Dhyana Teapot

佛教文化的传入,对中国文化艺术的发展产生了极大的影响,不仅直接催生了佛教雕塑,更间接渗透于书法﹑绘画﹑设计等领域,从而使中国本土艺术形成多元化的新风貌。紫砂作为中国民间工艺美术的后起之秀,其创作的形与意中也渗透着佛缘和禅趣。本文通过审视紫砂艺术的历史风格,结合学院派紫砂艺术和南大美术教育对个人的影响,以佛教雕塑与紫砂创作的渊源和交融为切入点,通过作品具象与抽象两种方式,运用传统符号性元素和延展创作实践,表达对紫砂艺术传承﹑借鉴﹑创新的感悟。

The introduction of Buddhist culture had strong impact on the development of Chinese culture and art, engendering not only Buddhist sculptures, but also changes in the fields of calligraphy, architecture, painting, etc., which formulates multifarious and localized art with Chinese characteristics. This thesis intends to express views on the inheritance, imitation and creation of Yixing Zisha art based on modern academic zisha art and art education in Nanjing University, through the exploration of the origination and historical development of the relationship between Buddhist sculpture and Zisha artistic creation on a perspective integrating the concrete and abstract, together with the application of traditional sign elements and extended creation practice.