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中华美学精神与传统美学的创造性转化 被引量:8

Chinese Aesthetic Spirit and Creative Transformation of Traditional Aesthetic
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摘要 中华美学精神是中国优秀传统美学本质和特点的集中体现,重视主客、心物、情景感应交融的审美关系建构,致力思境、情理、形神融合一体的审美意境创造,强调文质、文道、情采互相结合的审美判断标准,追求真善美统一、审美与教化结合的审美价值取向。要结合新的时代条件传承和弘扬中国传统美学,正确对待中与西、古与今的关系,注意结合独特历史语境进一步深入研究和揭示传统美学思想的演变和特点并形成体系;应用综合、比较等多种方法深入揭示传统美学思想的理论内涵并进行创造性阐释;从新的时代和历史高度,用当代的眼光和观念对传统美学进行创新性阐发,实现其现代性创造性转化。 Chinese cellent aesthetics. ject, emotion and form and divinity, aesthetic spirit is a concentrated reflection of the essence and peculiarities of traditional Chinese ex- It stresses to construct the aesthetic relation between the subjective and the objective, mind and ob- scene, and it dedicates itself to the integration between thought and situation, emotion and truth, and it pursues the integration of truth, beauty, and virtue. In order to advance and enrich traditional Chinese aesthetics in contemporary context, we should seriously treat the rela- tion between Chinese and western, and the ancient and the contemporary, and to pay attention to further study and disclose the evolvement and features of traditional Chinese aesthetics thought. And we should profoundly reveal the connotation of traditional Chinese aesthetic thought by means of various kinds of methodology. And we should creative- ly interpret those traditional Chinese aesthetic thought so as to actualize its creative transformation.
作者 彭立勋
出处 《艺术百家》 CSSCI 北大核心 2015年第3期19-23,170,共6页 Hundred Schools In Arts
关键词 中华美学精神 传统美学 当代价值 创造性转化 核心价值观 文化建设 Chinese Aesthetic Spirit Traditional Aesthetics Contemporary Value Creative Transformation
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参考文献3

  • 1刘勰著,周振甫注.文心雕龙注释[M].北京:人民文学出版社,1981.394.
  • 2季羡林.门外中外文论絮语[J].文学评论,1996(6):5-13. 被引量:97
  • 3钱钟书研究(第三辑)[M].北京:文化艺术出版社,1992.299.

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