摘要
中华美学精神是中国优秀传统美学本质和特点的集中体现,重视主客、心物、情景感应交融的审美关系建构,致力思境、情理、形神融合一体的审美意境创造,强调文质、文道、情采互相结合的审美判断标准,追求真善美统一、审美与教化结合的审美价值取向。要结合新的时代条件传承和弘扬中国传统美学,正确对待中与西、古与今的关系,注意结合独特历史语境进一步深入研究和揭示传统美学思想的演变和特点并形成体系;应用综合、比较等多种方法深入揭示传统美学思想的理论内涵并进行创造性阐释;从新的时代和历史高度,用当代的眼光和观念对传统美学进行创新性阐发,实现其现代性创造性转化。
Chinese cellent aesthetics. ject, emotion and form and divinity, aesthetic spirit is a concentrated reflection of the essence and peculiarities of traditional Chinese ex- It stresses to construct the aesthetic relation between the subjective and the objective, mind and ob- scene, and it dedicates itself to the integration between thought and situation, emotion and truth, and it pursues the integration of truth, beauty, and virtue. In order to advance and enrich traditional Chinese aesthetics in contemporary context, we should seriously treat the rela- tion between Chinese and western, and the ancient and the contemporary, and to pay attention to further study and disclose the evolvement and features of traditional Chinese aesthetics thought. And we should profoundly reveal the connotation of traditional Chinese aesthetic thought by means of various kinds of methodology. And we should creative- ly interpret those traditional Chinese aesthetic thought so as to actualize its creative transformation.
出处
《艺术百家》
CSSCI
北大核心
2015年第3期19-23,170,共6页
Hundred Schools In Arts