20世纪中国艺术批评史的几个“主题范式”

Theme Paradigm of Chinese Art Criticism History in 20^(th) Century

20世纪中国艺术批评史,是整个中国艺术批评史的延续和有机组成,也是在延续承传的现代化进程中发生剧变的历史。在世纪百年艺术批评的风云起伏中,必然有一些基本的问题、矛盾、焦点是反复出现甚至贯穿始终的。文章认为:外来/本土、传统/创新:中西文化的对立与融合,主流/支流:现实主义与现代主义的消长纠葛,正统/多元:马克思主义政治批评的沉浮即与其他批评流派或方法的关系,现代/后现代:超越、反叛与融合的混杂等基本问题或基本矛盾,也即一种基本的"主题范式",构成为贯穿20世纪艺术创作和艺术批评之始终的重要线索,应该成为研究20世纪艺术批评的自觉参照。文章秉持一种全局的艺术批评视野和开放动态的历史意识,对20世纪艺术批评史的几个重要的主题范式进行了总结与阐述。

As a continuance and organic composition of the whole Chinese art criticism history, Chinese art criticism history in 20th century had made a great progress in modernization course while inheriting tradition. In such a course, there must be a few basic problems, conflicts, and focuses repeatedly appeared. In this paper, I state that Chinese art criticism history in 20^th century has its own theme paradigms ： the external and the local, center and muhi - element, ups and downs of Marxism political criticism and its relation to other criticism schools and methodologies, modernity and post - modernity, transcendence, rebellion, and integration, and these significant words should become conscien- tious references when we study art criticism in 20^th century. In this paper, based upon an overall art criticism vision and an open and dynamic historic consciousness, I make conclusions and explanations of those theme paradigms men- tioned above.