摘要
在戏曲美学范畴中,内与外是一对重要范畴,戏曲创作与戏曲表演都强调需要内外结合,即表现与体验相结合,也就是主观与客观的统一。这一美学观点是从《乐记》和画论"外师造化,中得心源"发展而来的。戏曲的这一美学观念与斯坦尼斯拉夫斯基等外国戏剧理论有相通之处也有不同之处。
In theatre aesthetic categories, the internal and the external is a couple of significant categories. Theatre creation and theatre performance all stress an integration of the internal and the external, that is also an integration of representation and experience, and an integration of the subjective and the objective. Such an aesthetic opinion is de- veloped from The Book of Music and relevant painting theory, and it has something similar with and also something dif- ferent from Stanislavski＇s theory.
出处
《艺术百家》
CSSCI
北大核心
2015年第3期143-151,共9页
Hundred Schools In Arts
关键词
戏曲艺术
戏曲美学
内外
表现与体验
《乐记》
斯氏体系
艺术实践
The Internal and the External
Representation and Experience
The Book of Music
Stanislavski Theory
