摘要
《达吉和她的父亲》是20世纪五六十年代之交一部在全国引起高度关注和激烈争论的小说,而据此改编的同名电影在当时更是激起了评论界的轩然大波。通过大量史料梳理整个事件的来龙去脉,可以从中窥见那一特殊年代文坛呈现出来的某种微妙而可喜的动向。周恩来在这一事件中的一言一行,以及他对于少数民族题材文艺作品在创作和传播过程中的正确引导,更是可以引发我们对于如何在中国这样一个"一体多元"的版图上建构现代民族国家这一重大政治问题的深入思考,而这份思考无论对于当下还是未来都具有极其重要的意义。
DAJI AND HER FATHERis a fiction which caused a great concern and intense debate in the fifties and sixties of the 20 th century in China.We can find a kind of tiny fantastical movement from the special literary world of those times by doing a historical research on the whole thing of this event.What's more,Zhou Enlai's involvement in it and his guidance in the creation and promotion of the literary works of ethnic minorities inspire us to have a deep thinking about how to build a modern national state in China in such a multi-diversified context.Such a thinking is of special significance either at present or in the future.
出处
《西南大学学报(社会科学版)》
CSSCI
北大核心
2015年第4期156-164,共9页
Journal of Southwest University(Social Sciences Edition)
基金
国家社会科学基金艺术学重点项目"国家体验与国族认同:17年少数民族题材电影的文化意义与政治功能"(09AC003)
项目负责人:余纪