黄遵宪的文化姿态与思想经验

Huang Zun-xian's Cultural Gesture and Ideological Experiences

黄遵宪在诗歌创作上采取了融通古今雅俗、兼顾通变的稳妥策略,对"诗界革命"采取了不即不离、同中有异的认同接受态度,因而在当时得到不同政治派别和诗歌派别人士的广泛认同;后来更深受五四时期新文学家的积极倡导和高度评价,同时也受到持不同文学与文化观念人士的批评,留下了值得记取的文学史和学术史经验。黄遵宪对日本文化与西方文化的认识既表现出个人与时代的先进性,又具有明显的思想意识局限和文化误读成分。这种矛盾混杂状态反映了中国文化接受外国文化过程的曲折艰难。黄遵宪的文学观念、文化姿态与思想经验今天仍具有深刻的反思认识价值和借鉴意义。

Huang Zun-xian look moderate stralegies of combining the ancient and modern,elegance and popularity,and of reconciling the inheriting and innovation in poetry creation.He held an attitude of being neither too close nor too distant,maintaining differences in commonalities to the revolution in the circles of poetry.Therefore,he was not widely approved by people of different political or poetic spectrums.Afterwards,he was held in esteem by the New-vernacular litterateurs in May 4th Movement in 1919 while he was criticized by people holding different literary and cultural concepts.This fact left memorable experiences of literary and academic history.Huang Zun-xian's comprehension of Japanese culture and Western culture reflects progressiveness of individuals and the times,but also shows obvious ideological limitations and cultural misinterpretations—this contradition reflects the intricacy and hardships in the course of Chinese culture's acceptance to foreign cultures.Huang Zun-xian's literary concepts,cultural gesture and ideological experiences still have profound significances of self-examination and reference.