摘要
婺源徽剧,是徽剧艺术的"活化石",是中国传统戏曲的基因之一,有着重要的文化价值。本文从史学角度,以断代史的理念,对1980年至1985年婺源徽剧进行了全面的梳理。指出该时期婺源徽剧的发展,在改革开放的春风下,不仅完成了极其重要的转折,而且迎来了婺源徽剧发展的第二个黄金期,取得了辉煌的成就;得出了"崇传统、下得去、能演出、重创新"的宝贵经验。
Wuyuan Hui opera, as the first batch of national intangible cultural heritage items, is a "living fossil" in drama art, which is one of the Chinese traditional opera genes, has important cultural values. From the historical view, the author tries to conduct a comprehensive sort to the Wuyuan Hui opera form 1980 to 1985 in the concept of dynastic histo- ry. He points out that the development of Wuyuan Hui opera in this period, not only completed a very important turning, but also ushered a second golden period, made brilliant achievements, and came to a valuable experience of "advocate tradition, get to the people, has the ability to perform, pay attention to innovation ".
出处
《地方文化研究》
2015年第2期92-105,共14页
Local Culture Research
基金
2014年江西省高校人文社会科学研究项目"1980-1985年间婺源徽剧传承与创新研究"(项目编号:YS1402)阶段性研究成果
关键词
婺源徽剧
活化石
高拨子
老吹腔
发展
Wuyuan Hui opera
Living fossil
Gaobozi
Laochuiqiang
Development