无处安放的乡愁

Nowhere Placed Homesickness

贾樟柯是第六代导演的杰出代表之一,他尤其擅长现实主义的拍摄手法,热切地关心着小人物的生活困境。凭借着诸多国内外大奖和国际影评界的肯定,他渐渐变成中国影坛的传奇人物。《小武》《站台》《任逍遥》是其早期作品,构成其"故乡三部曲",拍摄地点均取景于其故乡——汾阳,由此可见,其作品对故乡的关注尤其突出。从《站台》的影像风格着手,有助于研究贾樟柯电影世界中的"在地性"。

Jia Zhangke is one of the outstanding representatives of the sixth generation director;he is especially good at realistic shooting style,earnestly concerned about the plight of small potatoes.With many awards at home and abroad and the positive reviews from the world,he gradually became a legend in Chinese film.Xiao Wu,Platform,and Unknown Pleasures are his early works,composing his＂hometown Trilogy＂,and the film are all shooting in his hometown-- Fenyang,thus,because his works are especially concerned with his hometown,studying of the＂image style＂of the Platform,is helpful to the study of the＂localness＂in Jia Zhangke＇s film world.