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超越艺术人类学——古巴“音乐生成”的理论素描

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摘要 近年来倍受关注的艺术人类学,多以造型艺术为其研究对象,但对于"出现即消逝"的音乐而言,只能从"生成"的角度进行把握。起源于西欧的"古巴古典音乐的生成"事例,重新构建了艺术人类学的理论框架,开拓了"艺术生成"这一全新的视角。以音乐为对象的艺术人类学,应该关注艺术当中"存在"与"生成"的差异问题。
出处 《民族艺术》 CSSCI 北大核心 2015年第4期106-110,共5页 National Arts
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