用意象来“象”意——浅析电影意象符号的流变特色

TAKING ADVANTAGE OF IMAGE TO PICTURE MEANING OF IMAGERY——Rheological cha Racte Ristics of film image symbol

意与象是对应的范畴,艺术作品中意指精神,立意,气质,风格等;象则指一切可见之物。电影中的意象手法在多被理解为制作环节里,导演或团队出于让情节更加灵动传达隐晦内涵的技术——运用画与音的合作,产生出大于影像其本有含义的气韵。这一领域的套路被电影发烧友狂热追从,且成为众多热门导演的风格座标。在电影生产链中,意象表达的模式和技巧,挑战其固有规则,而创新手法是电影文化的学术研究及大众互动的推动力。本文从意象原初典型表现展开,分解其能指和所指,并提出脱离叙事后的意象材料的发展道路——电影中的音与画在意象表达上的综合实力。试图从其中找到意象流变的导向与电影导演的创作思路。

The meaning and the image is the corresponding category. The meaning means the spirit, purpose, ideas, style etc. And the image includes all the visible things. Nowadays, at the realm of movie, the imagery is generally considered as a way to convey the unseen intention and the profoundly philosophy by the director or the film team - with the cooperation from sound and vision. Consequently, it tells us that something in the images is far beyond our conscious. This approach is not only just badly worshiped by movie fan, but also can become a style for director. In the production chain, image- expression and techniques challenges the rules and impetus of the innovation, which is the future way for film culture and academic research. What＇ s more, it gives the audience opportunity to understand movie language further more. This paper starts from the typical image skill, and talks about the signifier and the signified, and discusses how the sound and picture get free from the shadow of narrative part in innovation way. Finally, the article tries to figure out creative ideas and the guide of the development of images of the film director.