摘要
"十七年"新疆少数民族题材电影是党和政府传达主流意识形态的主要媒介,它们通过借鉴成功影片的意识形态策略实现政治经济政策的影像化和民族政策的影像化,通过叙事结构的功能化展示影片人物、视角、声音的意识形态选择与对立,通过淡化女性性别身份、民族身份及文化身份的方式建构女性形象来映射新疆社会的嬗变,这些都在最大程度上契合了新中国"十七年"电影"革命"和"解放"的总主题,对于中华民族国家的形成和合法性建构也起到了至关重要的作用。
"17 Years",film themed with ethnic minority in Xinjiang,is the main medium through which CPC and the Government disseminate the mainstream ideology,realize the visualization of political,economic and national policies using for reference the ideological strategies in the successful film,present the ideological choice and opposition of the film characters,angles and voices through the functions of the narrative structures,and reflect the transmutation of Xinjiang society by constructing female images through weakening the female gender identity,ethnic identity and cultural identity.All these match for the general theme of 'revolution' and 'liberation' of "17 Years" film in new China,which also plays a crucial role in formation of the Chinese national state and the development of the legality of the state.
出处
《新疆大学学报(哲学社会科学版)》
CSSCI
2015年第2期114-119,共6页
Journal of Xinjiang University(Philosophy and Social Sciences)
基金
新疆生产建设兵团社科规划项目"兵团妇女口述历史"(13YB12)