摘要
在当前的赖声川戏剧研究中,虽然《新加坡即兴》属于被遗忘和疏忽的剧作之一,但是它却以独特简约的戏剧情境和神秘模糊的叙事风格,折射出赖声川戏剧创作背后的思想价值观及其对于哈罗德·品特静态戏剧艺术风格的借鉴与创造。本文通过对品特戏剧与赖声川《新加坡即兴》的比较分析,不仅可以在赖声川的剧作中领略到品特戏剧独特的风格与魅力,也有助于拓展赖声川戏剧研究的范围与视角。
Among the current studies of Lai Shengchuan＇s dramas, although belonging to the forgotten and neglected group, with the unique concise plot and vague mysterious narrative style, Singapore Impromptu reflects the author＇s thought value and his reference from the static artistic style of Harold Pinter＇s dramas. The comparative research between Pinter＇s dramas and Lai Shengchuan＇s Singapore Impromptu may not only lead us to enjoy the unique style and charm of Pinter＇s dramas, but also help us to expand the scope and perspective of Lai Shengchuan＇s drama studies.
出处
《吉林艺术学院学报》
2015年第2期57-60,共4页
Journal of Jilin University of Arts
基金
2014年山东省艺术科学重点课题项目"赖声川戏剧艺术研究"(2014347)的阶段性成果之一
