摘要
从女性主义视角对张爱玲作品中的"怨女"形象进行了分析,认为怨女产生的根源是男权中心社会长期压抑的结果。张爱玲塑造的"怨女"形象丰富了现代文学人物画廊,推动了女性文学的发展。《怨女》中"银娣"的不幸既是宗法制度与人性之恶合力扭杀的结果,更有其自身"性别史"上的根因。妇女解放不仅需要社会制度的保障,更需要女性主体意识的觉醒。只有当女性获得真正意义上的自由独立之际,怨女才会消失。
By analyzing unhappy women in Eileen Chang＇s works in the perspective of feminism, the root of unhappy women came from the repression of male-dominated society. The figures of unhappy women enriched the gallery of modern literary figures and promoted the development of female literature. Yindi＇s unfortunate was not only a joint result of patriarchal system and evil humanity, but also has her own reasons. Women＇s liberation needs the safeguard of the social system as well as the awakening of women＇s awareness. Only when women get real freedom and independence can the unhappy women disappear.
出处
《中国文学研究》
CSSCI
北大核心
2015年第3期102-105,共4页
Research of Chinese Literature
关键词
怨女
女性主义
主体
他者
妇女解放
unhappy women
feminism
the subject
the other
women＇s liberation
