摘要
作为底层文学的代表作家,陈应松毫不例外地热衷书写苦难。但是,他通过建构一个充满想象的信仰空间,避免了沉溺苦难、展览苦难的流弊。援引信仰从而突围苦难,是"神农架系列"大获好评的关键。这种建立超越维度、对话现实批判的方法,对于当今深陷"苦大仇深"的底层文学是一种拓展。
As one of the most prominent bottom-class literature writer, Chen Yingsong puts all his attention to the tribulation. However, he avoids addicting to and showing tribulation by constructing imaginative belief space. The critical reason why Chen Yiongsong's "Shennong series" have been highly praised is due to the interlocution between the belief and tribulation showing in the books. This writing approach of constructing transcendent dimension and realistic criticism ininterlocution was an expansion for the contemporary bottom-class literature, featured as bitterness and deep hatred currently.
出处
《中国文学研究》
CSSCI
北大核心
2015年第3期119-122,共4页
Research of Chinese Literature
关键词
底层文学
信仰
超越维度
bottom class literature
belief
transcendency