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京剧器乐的听力损伤(附55例调查报告)

Hearing Loss Due to Beating Musical Instrument of Beijing Opera(An Investigation of 55 Cases)
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摘要 本文对从事京剧打击乐的55人(110耳)进行了听力调查及动态观察。利用图表进行对比分析,发现110耳中高频听力损伤89耳,占81%;语频听力损伤32耳,占29.1%;其中伴有高频耳鸣78耳,占70.9%。动态观察30人(60耳),均为永久性听阈阈移。高频听力损伤最早出现的频率是4kHz,并见典型"V"谷,符合噪声性聋的诊断。 Hearing of 55 players of beating musical instrument in Beijing Opera were investigated(ll0 ears). Among these ears,hearing loss occurred in the range of middle-high frquency in 89 ;in the range of speech frequency in 32;and a high tone tinnitus occurred in 78.A permanent threshold shift was demonstrated in 20 cases(40 ears)by following up.The earliest involved frequency stands near to 4kHz,showing a typical ″V″trough.
出处 《听力学及言语疾病杂志》 CAS CSCD 1994年第3期133-135,共3页 Journal of Audiology and Speech Pathology
关键词 京剧器乐 听力损伤 噪声性听力损失 打击乐器 耳鸣 调查报告 noise-induced hearing loss beating musical instrument tinnitus
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  • 1王生,高弘,王晖,吴道溪,王振亚.交响乐对演奏员听力的影响[J].工业卫生与职业病,1991,17(1):5-8. 被引量:4
  • 2张家志,张树模.职业性耳聋的诊断和处理[J]职业医学,1986(04).
  • 3许荣伟,张家琨.对噪声性聋诊断和健康管理的建议[J]中国公共卫生,1985(04).

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