摘要
张衡的辞赋创作呈现出一种鲜明的尊儒慕道之趋向。一方面,他受儒家崇德尚礼、重道明志思想的影响,通过大赋作品体物写志,加大了讽谏力度;另一方面,张衡身处浊世,屡受打击,在道家理念中寻求政治失意的解脱之道,即契合自然,化归田园。这种复杂的创作倾向在东汉文人的创作中非常有代表性。
There has a tendency of respect to Confucianism and Taoism in Zhang Heng's poetry. On one hand,he was influenced by the idea of respecting morality and rituals,strengthening doctrines and ambitions in Confucianism,hence,expressing his ambitions through illustrating the objects around,which increase the degree of the implicit and polite persuasion. On the other hand,he was in a corrupted world and was struck repeatedly,expecting to seek for liberation of political frustration from Taoism,that is,conforming to the nature and conceding to the countryside. This complicate tendency of creation is popular among the men of letters during the Eastern Han Dynasty.
出处
《绵阳师范学院学报》
2015年第7期105-109,共5页
Journal of Mianyang Teachers' College
基金
河南大学教学改革重点项目"中国古代文学课程体系与教学内容改革研究"(HDXJJG2013-99)
关键词
张衡
辞赋
尊儒
慕道
Zhang Heng
Hanfu
Confucianism
Taoism