从画学著录手跋看清代江南文人的互动圈层——以《一角编》等手跋为线索

Research on Interactive Circle of Scholars Living in South Yangtze River in the Ming and the Qing Dynasties: Based on Handwritten postscript in Ancient Art Books such as Yi Jiao Bian

画学、画论古籍序跋、题跋是阅读者在完成阅读之后,在书上手写的文字,或者表达对画论古籍版本优劣的判断,或传达其对画论文本内容的理解,或厘清画学著作的流传脉络,其自身承载了大量的文化信息,乃题跋作者思想精华之所在,而题跋作者一般为当时的著名文人、学者。所以,有关画学著作手跋及画学著录手跋作者的研究无疑具有一定学术意义。在明清时期,涉及画学著录的很多藏书家、著书者及手跋作者集中在江浙一带,他们之间以画学著录为中心,建立了一个生动、真实、立体的江南文人活动的生态圈。

The ancient books on painting study and painting theory are likely to have prefaces and postscriptswhich are handwritten by readers after their reading. Those prefaces and postscripts may include judgment of the quality of books＇ edition,the comprehension of the reader on the texts of that painting theory as well as messages about how the theory comes down from generation to generation. Meanwhile,prefaces and postscriptsthemselves carry numerous cultural information which may be the essence of the readers＇ thoughts. In addition,those readers who write prefaces and postscripts are usually famous scholars at that time. Therefore,the study on prefaces and postscripts of the ancient books and the study of the scholars who write them surely have academic value to some extent. Besides,most of those scholars live around Jiangsu and Zhejiang area. It seems that they establish a real,energetic and dimensional ecosystem of cultural activities which mainly focus on the description of painting study.