摘要
"句图"是北宋诗歌景句的选本,因文人绘画审美与宋诗吟咏风物的艺术追求深度介合,在诗画互位言说的语境下,被视为"诗中有画"的典范。"诗中有画"的审美观照,以诗句为画的艺术实践,在拉近"句图"与绘画关系的基础上,形成了"句图即画"的观念,从而开启了宋人"诗意画""以句图为画"的创作历程。"以句图为画"不是北宋"诗意画"的最高境界,但借助"句图"的美景佳思,或图解诗境,或直写诗意,或另外创意,在某种程度上也可以增强绘画的诗意内涵,提升画品,为画家创作出更高水准的绘画作品奠定基础。
Sentence pictures ,an anthology of landscape poetry of Northern Song Dynasty ,is regarded as a mod‐el of pictures in poetry ,because of the full conflation between the aesthetic conception of literati painting and the artistic pursuit of eulogizing scenery of Northern Song Dynasty ,under the background of pictures in poet‐ry .T he aesthetic conception of pictures in poetry and artistic practice of taking a poem as a picture laid a foun‐dation of closer ties between sentence pictures and painting and formed a concept ,sentence pictures equal to painting ,w hich began a creative course of pictures in poetry and painting by sentence pictures of Song Dynasty . Painting by sentence pictures was not the summit of Song Dynasty Poetic Pictures ,but they laid the foundation of high quality paintings through sentence pictures of beautiful landscape and pleasant images ,w hich could also enhance poetic connotation of painting and painting quality to some extent ,by extra creation ,direct writing ,or graphic verse context .
出处
《大连理工大学学报(社会科学版)》
CSSCI
2015年第3期132-136,共5页
Journal of Dalian University of Technology(Social Sciences)
基金
中国博士后科学基金资助项目:"‘诗意画’发展史研究"(2014M561173)
关键词
句图
诗意画
诗中有画
诗画一律
sentence pictures
poetic pictures
pictures in poetry
harmony of poetry and paintings