论美学上的“美”及其意义建构

On the Beauty in Aesthetics and Its Construction of Meaning

在当代生活中,一个突出的现象就是日常生活审美化倾向,"美"字的用法和意义获得前所未有的扩展,导致美学意义上的"美"和非美学意义上的"美"之间界限模糊,意义混淆。美学意义上的"美"的用法和意义问题,关涉到"美"的词源学、美的语用学和美的本质的哲学三个方面。当物被转化或提升到与人同一性的关系中,物便成为美之对象,便生成物之美,而人所获得的基于这种同一性和统一性的和谐感便是美感。美的本质实是物我同构、交融而创造出来的一种同一境界。在此同一境界中,一切物质性被升华为精神性,个别的主观情感被提高为纯粹的情感,事物的感性形象显现着事物的本质和精神。

The aestheticization of everyday life is a prominent phenomenon in contemporary life. The useage and meaning of ‘beauty＇ get unprecedented expansion, which maks the boundary between the ‘beauty＇ in aesthetic sense and the ‘beauty＇ in non-aesthetic sense become obscure and confused. The useage and meaning of ‘beauty＇ in aesthetic sense are related with the etymology、the pragmatics and the philosophy of essences of beauty. When the object is transformed or elevated to the identical relationship with the subject,the object become the aesthetic object and has the beauty. And the harmonious sense based on the identity and uniformity is the aesthetic sense. The essences of beauty is a syncretic state which is created by the fusion between the object and subject. In this identical state, every materiality is sublimated spirituality, private subjective feeling is elevated to pure feeling, and the sensible image of object represents its essence and spirit.