孤岛话剧:民族国家观念与现代市民意识的合流

Shanghai Island Drama:The Confluence of Nation-state Concept and Modern Public Awareness

马俊山先生指出,国家化和市民化是中国现代话剧的一组基本矛盾,走向市民化、拒绝国家化就成为中国话剧走出困境的必由之路。这一论断对中国现代话剧整体而言具有普遍性,不过,孤岛话剧却是一个例外。以市民小我的民族认同为主要表征,孤岛话剧呈现出民族国家观念与现代市民意识合流的趋向,形成这一合流趋向的推手就是孤岛时期独特的政治和文化境遇。这一趋向深刻影响着孤岛话剧对现代意义上"人的戏剧"的贴合与背离,孤岛话剧的文化品格、艺术成绩与历史局限都与此息息相关。

Prof. Ma Junshan notes that the nationalization and eitizenization constitute a basic contradiction of Chinese modem drama, and going to- wards citizenization and refusing nationalization become the only way out of the dilemma of it. Although this assertion is universal on the Chinese modem drama as a whole, however, the Shanghai Island drama is a unique exception. Taking the public ego＇ s national identity as the main characterization, Shanghai Island drama shows the confluence trend of nation - state concept and modern public awareness. The driving force of this trend is the unique po- litical and cultural situation of Shanghai Island. This trend profoundly impacts the Shanghai Island drama corresponding or deviating the modern sense of ＂human drama＂, and the Shanghai Island drama＇ s cultural character, artistic achievements and historical limitations are closely associated with it.