摘要
帛画发祥于战国,同期出现在章服(古代礼服)之上,是我国最古老的画种.而现代礼服,在我国民间以婚纱礼服为主要形式,但由于缺乏引领时尚潮流的意识,导致在婚庆市场消费中占用率比较低下的现状.文中旨在探索、研究帛画的"设色之工",使其跨界与现代婚纱礼服相结合,通过采用客户+婚纱设计师+画家手绘婚纱礼服+缝制工艺师的方式与工艺,改变婚纱礼服产品与服务同质化的缺陷,打破其在婚庆市场消费中比例低下的格局,使其引领时尚潮流,具有高度的可行性与良好的开发前景.
Silk painting is China＆#39;s most ancient painting originated in the Warring States Period ,the same period in Zhang Fu （ancient dress） .While in modern dress ,wedding dress is the main form in our country folk .Because of thelack of leading fashion consciousness ,resulting in relatively low occupancy rate status in the wedding market consumption .This paper aims to explore and research the“design work”of the silk painting ,making it cross‐border and combined with modern wedding dress .By means ofclient＋ wedding dress designer ＋ hand‐painted wedding dress＋ sewing process division mode and process ,changing the dress defects in the homogenization of products and services ,breaking its lowproportion in the wedding market ,leading the fashion trend and having high feasibility and good prospects for development .
出处
《西南师范大学学报（自然科学版）》
CAS
北大核心
2015年第8期123-128,共6页
Journal of Southwest China Normal University(Natural Science Edition)
关键词
帛画
章服
婚纱礼服
流行趋势
手绘婚纱礼服
painting on silk
chapter service
wedding dress
trends
hand-painted wedding dress
