瞳术,或新锐诗人的成长史——论庄子轩诗集《霜禽》

Ocular Techniques or a Developmental History of the New Poets:On Frosty Fowl, a Collection of Poetry by Chuang Tzu-hsuan

新世纪台湾现代诗创作,已迈进一个大众流行文化与小众精英文学相互渗透融合的崭新阶段,展现了与前行代诗人截然不同的多元文化视野,庄子轩的现代诗是一个非常具有代表性的指标,他透过强大的洞悉力和想象力,从奇幻小说的想象空间起步,沿途穿越了地下摇滚乐、台湾电影、日本传说等素材,更展现了全球化的关怀。本文以日本卡漫的重要意象"瞳术",来解读新世纪诗人庄子轩创造诗歌世界的能力,及其诗歌技巧与思想的成长过程。

Taiwan Residents poetry in the new century has entered into a new stage in which mass culture and minority elite literature merge and permeate, exhibiting a totally different multicuhural vision from poets of previous generations. Modern poetry, by Chuang Tzu-hsuan, is a quite representative index in which he begins with the space of fantasy fiction, with his powerful insight and imagination, and moves through such subject matter as underground rock and roll, Taiwan Residents films and Japanese legends, while unfolding a global concern. This article intends, with ＇ocular images＇, an important image of Japanese cartoon images, to interpret the abilities of Chuang Tzu-hsuan, a new-century poet, to create a poetic world, and the process of growth involving his poetic techniques and thinking.