论陶渊明田园诗的“无我之境”

Transcendence in the Pastoral Poems by Tao Yuan-ming

陶渊明把自己同自然圆融为一,能泰然地对待一切烦扰,从哲学意义上进入了"无我"的境界,这为他诗歌最终达到"无我之境"铺平了道路。陶渊明的田园诗语言真实、朴素、自然、平淡、通俗而又精炼,许多论家把这一风格称为"自然",这正是"无我之境"的诗意表现。陶渊明的田园诗能够达到"无我之境",这与他热爱自然、崇尚自然、终归自然是密切相联的,是一种自然之性的表现与折光。

Tao Yuanming identifies himself with the nature, facing all the troubles with a balanced mind, entering the philosophical state of transcendence, paving the way to the forgetting about oneself for his poems. His pastoral poems are authentic, concise, natural, carefree, popular and yet essential.Many critics consider the style as natural, which is the poetic expression of forgetting about oneself. His pastoral poems are the product of love, respect and longing for nature. It is a natural expression and reflection.