摘要
审美主体主要是指在社会实践中能够创造美和欣赏美的人,与审美客体相对。在传统乡村审美文化中,士人是乡村文化的审美主体。当我们以审美主体的理论视野来反思当下的乡村文化建设时,我们会发现农民的审美主体性在进一步丧失,审美客体性却进一步加强。农民在当下的乡村文化建设中审美主体地位的缺失原因是多方面的。在当下的乡村文化建设中,农民的审美主体地位必须得到应有的尊重与重建。
The aesthetic subject means the person who can create beauty and also appreciate beauty in social practice, and its target is the aesthetic object. In tradition, scholars are the aesthetic subjects of rural culture. When we reconsider the rural cultural construction nowadays in the theoretic view of aesthetic subject, we may discover that peasants are losing their position of aesthetic subject further, and are more viewed as the aesthetic object than before. There are manifold reasons for the peasants losing their position as aesthetic subjects. And in the current construction of rural culture ,peasants' position as aesthetic subjects should be respected and rebuilt.
出处
《黄河科技大学学报》
2015年第4期90-92,共3页
Journal of Huanghe S&T University
基金
河南省哲学社会科学规划项目"城镇化进程中不断消逝的乡村美学及重新建构"(2014BZX005)
关键词
乡村文化
农民
审美主体
rural culture
peasants
aesthetic subject