摘要
中国古代戏曲既是独立的,同时又受官方主流文化及宗教观念文化影响。作为中国古代戏曲悲剧代表作《赵氏孤儿》,其思想内容的丰富性与各种哲学思想密切相关,儒、墨、释、道等思想交互作用于《赵氏孤儿》,如儒家的忠、孝、仁等思想,墨家的侠义思想,佛教的因果报应思想,道教的扬善惩恶思想,共同对《赵氏孤儿》产生影响。在儒家"中庸"哲学思想的影响下,《赵氏孤儿》的悲喜交集呈现出"中和"的古典美。
Ancient Chinese opera is independent, and influenced by the official mainstream culture and religious belief culture. Orphan of Zhao is a Chinese classical drama tragedy masterpiece, whose rich content of thought is closely related with various philosophical thoughts. This paper mainly discusses the relationship between the Confucianism, Buddhism, Mohism and Taoism and focuses on the influence of Confucian thought' of filial piety, loyalty and benevolence and the chivalrous thought of the Mohist school, Buddhist retribution thought and Taoism justice thought on the writing of Orphan of Zhao. In addition, under the influence of Confucian doctrine of the mean philosophy, the joys and sorrows of Orphan of Zhao shows the classic beauty of neutralization.
出处
《新余学院学报》
2015年第4期105-107,共3页
Journal of Xinyu University
关键词
《赵氏孤儿》
哲学意蕴
古典美意蕴
Orphan of Zhao
philosophical connotation
classical beauty