“兴”的仪式发生学探讨——以贵州民俗与树木兴象为例

Exploration of Ceremony Embryology of Xing in the Books of Songs:The Cases of the Association of Trees and Folk Activities in Guizhou

通过文学和文艺发生过程,以贵州民俗事象与树木兴象为例,探讨"兴"的本真原生形态,可知当巫的意识逐渐变淡,民俗传承逐渐变化,其裸露的文学性的词语由此而显现,作为"兴"的事物的审美价值便也逐渐凸现了出来,"兴"于是化为主体的审美对象,在主客互动中上升为意象,并给人以愉悦的艺术享受,有否"象下之义"与是否"无所取"无一定通论。"兴"的仪式发生探讨,有助于找出中华民族的整体精神心理素质的内在渊源,了解不同文化传承的共同点与特色各具的差异。

Through the exploration of ceremony embryology taking a perspective investigation of the original form, and in terms of the cases of the association of Trees and folk activities in Guizhou, we could see that when the historical consciousness gradually fades, folk activities change gradually, the bare literary words there out appear. As the characteristic of a history, Xing helps to understand the cultural continuity.