媒介融合下影像假定真实的哲学立场

Philosophy Stance of Presumptive Assertion Motion Picture from A Perspective of Media Convergence

本文旨在对一直以来纪录片的真实性和真实感这一悬而未决的话题进行探讨,并进一步探索由这个话题带来的媒介融合趋势下纪录片的概念。首先文章对虚构和非虚构的文本进行界定,得出任何外显的文本特征不适用于区分虚构和非虚构的文本,由此纪录片的概念也不是根据其文本特征来定义的。随后文章通过诸如"推测性想象"的运用,把意图——响应模式应用于虚构的问题,得出虚构的立场,并根据推测性想象的对立面得出推测性断定这一非虚构的立场,以此在虚构和非虚构的文本之间进行界定。最后在媒介融合的趋势下,非虚构的立场不能依赖于外显的媒介形态,而是需要面对文本命题内容做出确定的设计,并且使得观众能够感受到这种设计意图,而"推测性断定"从一个更为宽泛精准的领域对纪录片进行重新定义。

The thesis means to discuss a confusion topic about real and reality of documentary,and moreover,to explore the conception of documentary from a perspective of media convergence. First of all,the thesis identifies fiction and non- fiction text,concludes that any kind of manifest textual properties cannot differentia the fiction to non- fiction text,and therefore the conception of documentary is not defined by manifest textual properties; secondly,the thesis introduces the conceptions such as suppositional imagination,employing the intention- response model of communication,secu-ring the stance of non- fiction,concluding the stance of non- fiction,namely the presumptive assertion,according to the negation of suppositional imagination in order to identifying between the fiction and non- fiction text. At last under the circumstance of media convergence,the stance of non- fiction is not depend upon the media exterior form but the author's affirmative designation of propositional content,and it is necessary that the audience realize this intention. The presumptive assertion movie has defined the documentary in a broader and more accurate way.