从模仿说看亚里士多德《诗学》中的“悲剧”理论

Theory of “Tragedy” in Aristotle's “Poetics” From the Perspective of Imitation Theory

亚里士多德的《诗学》在美学和其他领域都占据重要地位。就现有流传的版本内容来看,亚里士多德在《诗学》中重点介绍了史诗和悲剧,其中"悲剧"更是他这部著作中的重中之重。由于历史的变迁,古希腊的众多专业术语如今已鲜有准确对应的词汇,这为古希腊经典著作的解读带来重重困难。《诗学》同样如此,作为一本独创性的著作,它受到特别的关注和评析。一直以来,《诗学》重点阐释的"悲剧"究竟包括怎样的内容,如何理解亚里士多德文本中的"悲剧",学者们争论不休。文章在这些争论的基础上,试图从"模仿说"出发把握亚里士多德《诗学》中的悲剧理论。

Aristotle＇ s ＂Poetics＂ plays a very important role in the domain of aesthetics and other fields,in which epic and tragedy are introduced where ＂tragedy＂ is of the core impor- tance. Due to the change of history, many terminologies are lack of equivalent counterparts. This makes it more difficult to interpret the ancient Greek classics. A main research focus is what ＂tragedy＂ should include and how to interpret which is also an arguable subject. It attempts to explore the tragedy theory in ＂Poetics＂ from the perspective of ＂imitation theory＂.