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论电影《飞越疯人院》中的“垮掉派”文化 被引量:1

On the“Beat Generation”culture in the filmOne flew over the cuckoo's nest
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摘要 改编自同名畅销小说的影片《飞越疯人院》是美国20世纪70年代社会政治电影的代表作,以绝对的优势斩获1975年的5项奥斯卡金像奖。该片以精神病患者为题材,淋漓尽致地刻画了病态压抑的美国民主社会将人们紧紧束缚而不得动弹的恐怖景象。作为"垮掉派"分子的典型代表,片中主人公麦克墨菲不仅生动形象地呈现了"垮掉派"青年的困惑、无助和痛楚,还用生命和灵魂对所谓的"主流文化"和冷酷的"机械社会"做出了勇敢的痛陈和反抗。 Adapted from the hestselling novel, the film, One Flew over The Cuckoo's Nest, is a typical representative of the social and political movie in the seventies of America and it was awarded five Oscar Awards with its definite advantages in 1975. Based on the stories of psychopath, the film depicted vividly the morbid and depressed society where the ordinary were fettered to suffocate. Not only did the hero of the film, Macmurphy, presented truthfully the bewilderrnent, helpless- ness and anguish of the "beats", but also dwelt on the so-called "dominant culture" as well as the inhuman " mechanical so- ciety" bravely by means of his body and soul.
作者 高虹
出处 《周口师范学院学报》 CAS 2015年第4期41-44,共4页 Journal of Zhoukou Normal University
基金 2014年四川省教育厅课题"凯瑟琳.曼斯菲尔德的文化身份研究"(14SB0168)
关键词 《飞越疯人院》 “垮掉派” 文化 自由 One Flew over The Cuckoo ' s Nest beat generation culture freedom
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参考文献7

  • 1诺曼·梅勒.白种黑人[M]//莫利斯·迪克斯坦.伊甸园之门.南京:译林出版社,2007:53-54.
  • 2莫利斯·迪克斯坦.伊甸园之门:六十年代美国文化[M].方晓光,译.上海:上海教育出版社,1985:77.
  • 3Jack Kerouae. The origins of the beat generation [M]. New York: Penguin Books ,1979 : 366.
  • 4肖明翰.垮掉的一代的反叛与探索[J].外国文学评论,2000(2):25-32. 被引量:47
  • 5John C Holmes.The philosophy of the beat generation [M]. NewYork : Penguin Books, 19 7 9 : 3 7 5.
  • 6福柯.疯癫与文明:理性时代的疯狂史[M].刘北成,杨远婴,译.北京:三联书店,2003:65.
  • 7Jack Kerouac. Essentials of spontaneous prose[M].New York:Penguin Books, 1979 : 531 - 533.

二级参考文献8

  • 1Henry Miller, "Preface" to The Subterraneans by Jack Kerouac, New York: Grove Press, 1958, p. 1.
  • 2莫利斯·迪克斯坦.《伊甸园之门—六十年代美国文化》.方晓光译.上海教育出版社,1985年,第46,77,23,21,21页.
  • 3诺曼·梅勒.《白种黑人》.《伊甸园之门》,第53,53-54页.
  • 4John Tytell, Naked Angels: Kerouac, Ginsberg, Burrroughs, New York: Grove Press, 1976, p. 5, p, 107, p. 165.
  • 5Jack Kerouac, "The Origins of the Beat Generation," in Scott Donaldson, ed., On the Rood: Text and Criticism, New York; Penguin Books, 1979, p. 363, p. 366, p. 363.
  • 6John, C. Holmes, "The Philosophy of the Beat Generation', in Donaldson, ed. , On the Road, p, 375, p. 375, p. 369.
  • 7Jack Kerouac, "Essentials of Spontaneous Prose", in Donaldson, ed., On the Road, pp. 531-533.
  • 8Jack Kerouac, On the Road, ed. by Donaldson, p.8.

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