为诗识得轻与重——论熊国华的诗

The Weightiness and Easiness in Poems——On Poems by Xiong Guo Hua

汉语诗歌强大的载道传统与教化成规、民族国家苦难历史的集体心理创伤、精英意识与民粹情结的二元对立和现代主义诗风追求深度的美学,使现代汉诗几乎完全倾向于卡尔维诺所说的文学之"重"。身处边缘的熊国华从借鉴台湾当代诗歌出发,一直致力于在诗歌的轻与重之间寻求动态的平衡。他在想象都市时,无论其题材和主题差异有多大,都甚少采用古典山水田园诗中常见的重复或并列的抒情结构,而是采用肯尼斯·伯克所说的发展结构,试图在象征行动的展开中找到在非诗都市空间重新做一个抒情诗人的可能。在以文学通则忽视的遗忘笔法化去社会和个人历史的记忆之重时,又不避诗歌的公共性,对生态、历史和现实进行讽喻,呈现了生命的不可承受之轻。

The powerful conveying tradition and routine, the collective emotional trauma by national troubled history, the contradiction between genius awareness and populist complex and the pursuit of the depth of aesthetics contribute to the weightiness mentioned by Calvino of modern Chinese poetry. Xiong Guo Hua dedicates his efforts to keeping a dynamic balance between weightiness and easiness in his poems by drawing on Taiwan modern poetry. When pondering over cities, Mr.Xiong seldom applies repetition or parallel structures, no matter how different the topic and the theme are. Instead, he takes advantage of what Kenneth Burke mentioned development structure and attempts to explore the possibility of being a lyric poet in the non-poetry space. In eliminating the weightiness of social and personal memory of history, Mr. Xiong in his poems presents the easiness of life, by facing the commonality of poetry and satirizing ecology, history and reality.