身体经验与文学行旅——试论余秀华诗歌的关键词

Bodily Experience and Literary Construction——On Keywords in Yu Xiuhua's Poetry

余秀华以身体隐喻作为观察核心,在诗歌中消融肉体和心录的界线,抒写出饱含情境的诗心景观。除了取材于情动于中的身体经验,她的诗歌亦根植于女性经验和乡土经验两个层面,这三者互为感应,形成独特的诗歌语言张力网。雷可夫和詹森的概念性隐喻视点和茱莉亚·克里斯蒂娃的诗性语言革命观为解读余秀华诗歌所流露出的身心景观之美、女性情感之美和自然之美提供了有力的理论依据,并进一步论证了诗人通过身体隐喻、女性主体意识和自然场景的构建,扩大生命意识的感知,运用诗歌语言完成了对男权和主流文化所暗指的强权秩序的亲密反叛。

Taking body metaphors as the point of departure, Yu Xiuhua dissolves the boundary between body and mind in her po- etry and creates an embodied mindscape. Apart from deriving from body experience of moving, her poetry is rooted in feminine and regional experience, the above three of which interact with each other to form a unique net of poetic language. Lakoff and Johnson~ relevant notions of conceptual metaphors and Julia Kristeva~ concept of poetical language as a revolution offer theoretical basis for interpreting the beauties of scenes woven with mind and body, female subjectivity and nature in her poems. Moreover, the theoretical interpretations demonstrate that the poet expands the life consciousness in ways of constructing body metaphor, feminine subject ty and mainstream culture and natural scene, and invokes an intimate revolt against the power order implied by male authori-