在“中间地带”的游弋与生长——20世纪初国内艺术理论建设问题

Cruising And Growing in The "Middle Ground" ——Study on the constructing of Art Theory in China at the Beginning of Twentieth Century

20世纪初,国内现代艺术理论发展面临对传统的绵延、西方的渗透和现实语境的生境,这使其处于各人文学科之间模糊不定的灰色中间地带。我们的艺术理论游弋于总体生境中的同时,当然也包括从美学、文学理论及各门类艺术研究中的生长。厘清这些生态关系,基于一种合理的学术范式来理解我们的艺术理论意义重大。

At the beginning of Twentieth Century, the development of modern art theory faced with the stretching of tradition, spreading of Western, and realistic context so that made the humanities ambiguously situated in the gray middle ground. Our theory of art cruised in such environment, at the same time, has been growing from the aesthetics, literary theory and other art forms. It is of great theoretical significance to sort out these ecological relationships according to a reasonable academic paradigm to understand the art.