群芳撷秀 北京艺术博物馆藏明清女性绘画考察(上)

Collection of Ming and Qing Dynasties women painting inspection

以往的画史著录中,有关女性绘画的记载大多只鳞半爪。在儒家视野下,男性画家主导画坛,女画家不被重视、作品不被著录无可厚非。但明中期以后,女性绘画骤然勃兴,女画家数量明显增多,载入史册者高达数百位;画迹遗存也蔚为可观,数量高达千件之多。排除因距今时间较短,文献、作品保存量大等客观因素,这一现象的产生还与当时特殊的社会环境不无关系。北京艺术博物馆藏有不少明清女性绘画作品,据初步统计约70余件,其中能确定为明代者10余件,其余为清代画作。这批藏品中很多是女画家的代表性作品,

The whole history of the ancient Chinese painting is undoubtedly as the main male artist, female painters only as male dominated had not been ornament in painting. It is worth noting that this phenomenon has been greatly improved in the Ming and Qing Dynasties, this is closely related to the then special political, economic, cultural, ideological and other factors.