论张大千《长江万里图》中的空间意识

On the Space Consciousness of Zhang Daqian's Painting of Changjiang River

从中国传统哲学意义的角度看,《长江万里图》气势撼人,空间辽远开阔,是一种大美无言的审美境界;画面中朦胧的远景和精致的近景,氤氲的云气和雄伟的山脉等,构成了虚实相生的审美形态;画家将真实与想象融合,纳天地万物于一处,采用了"心游太玄"的观照方式。从绘画技法的角度看,运用散点透视的空间表现语言,展现了富有动势的超时间的空间画面;运用笔墨、线条等形体表现语言,泼墨、工笔描绘等绘画技法,在时间进程中营造出雄浑苍茫的空间感觉。

The painting of Changjiang River is grand, magnificent and expansive in the perspective of Chinese traditional philosophy. The hazy distant-view and the delicate close-shot, the dense clouds and the towering mountains constitute the false-or-true scenery. The painter mixed the reality with imagination, taking in everything by the observation of ＂free thinking＂. In the perspective of painting skills, the painter used the way of splattering-perspective to express his thoughts and the spatial image; he also created the atmosphere of vast space by using his pen and ink.