摘要
WHEN the Zhejiang Cultural Center in Hangzhou, capital of Zhejiang Province in east China. hosted a week-long exhibition of ceramic pottery in July. there was something extraordinary about it. The pottery seemed to have some of the features of the porcelains that had made the Song Dynasty period （960-1279） an art connoisseur＇s delight with their vivid glaze and sensuous finish. At the same time, there was something exotic about them too, The conscious viewer could trace elements of African folk art in them,
WHEN the Zhejiang Cultural Center in Hangzhou, capital of Zhejiang Province in east China. hosted a week-long exhibition of ceramic pottery in July. there was something extraordinary about it. The pottery seemed to have some of the features of the porcelains that had made the Song Dynasty period （960-1279） an art connoisseur＇s delight with their vivid glaze and sensuous finish. At the same time, there was something exotic about them too, The conscious viewer could trace elements of African folk art in them,
