摘要
在当代黑人文学研究中,性别冲突是个焦点问题,黑人男女作家似乎有着互不相通的文学传统。本文利用黑人文学批评中"重复与修正"的概念,对比艾里森的《看不见的人》和莫里森的《最蓝的眼睛》中的乱伦母题,分析后者对前者在性别议题上的颠覆和修正,以及在种族和阶级议题上对前者的继承、修正和发展,以期勾勒出一个跨越性别界限的黑人文学传统。
In contemporary African American literary studies, gender conflict is a focal issue. Black men and women writers seem to follow two separate literary traditions. Focusing on Morrison's subversion and revision of Ellison's novel in terms of gender and her destabilization and expansion of his work in terms of race and class, this paper proposes the concept of "repetition and revision" as a mode of inquiry to analyze African American literature, outlining a possible African American literary tradition that transcends the gender line.
出处
《当代外国文学》
CSSCI
北大核心
2015年第3期5-12,共8页
Contemporary Foreign Literature
基金
国家社科项目<当代美国少数族裔文学的文化属性研究>(11BWW053)成果之一
关键词
黑人文学
文学传统
乱伦
艾里森
莫里森
Black literature, literary tradition, incest, Ralph Ellison, Toni Morrison