从《诗经》“自述其名”方式演进看叙事主体意识的强化——以《崧高》《烝民》《巷伯》《节南山》《閟宫》为中心

On the Narrator's Growing Subjectivity through the “Name Readme” in The Book of Songs

传世《诗经》叙事文本中"真实作者",受散文叙事文本署名形态的影响,在卒章采用"自述其名"的署名方式,将"公开的叙述者"之"我",直接转换成"真实作者"本人,且形成了"美人者""刺人者"与"由以颂神为主向以颂人为主转变"这三种具体类型,成为中国诗歌叙事传统中"介入叙述者"最典型的代表;而这种"自述其名"方式的演进,是由剧烈的社会变革所引发的,彰显出叙事主体自我意识的渐次强化历史进程。

Influenced by the authorial form of the prose narrative texts, the real author of the narrative texts in The Book of Poetry handed down from ancient times uses 'the name readme at the end of the text', 'me' being the 'open narrator' converted into 'the real author'; therefore, there formed three types of 'praise', 'criticism' and a conversion of God worship into people praise. They become the most typical of the narrative tradition in Chinese poetry. The evolution of 'the name readme' is caused by dramatic social changes. It shows the everincreasing subjectivity of the narrator over time.