论钱钟书的宋诗观念及其对梅尧臣诗歌的批评接受

Qian Zhongshu's Thoughts on Song Poetry and His Critical Acceptance of Mei Yaochen's Poems

梅尧臣研究发展到近代时期,形成系统性的专门学问,广开一代宋诗的本色。经历宋、元、明、清的诗学批评,梅诗研究显然已具充分的学术考据,一定意义上实现对其诗学研究的纵横梳理,直接奠定宋诗的当代研究格局。以钱钟书的宋诗批评观念为依据,关注其理论研究的本意,于诗史方面追波溯源,还原当代宋诗研究的思路格局,重点关注梅诗研究的重新提起与批评接受,探究合乎情理的批评方式。既可认识到梅尧臣诗歌"一以贯之"的抒情传统,又可关注到其诗风"平淡之论"的再度审视。

Till the modem times, the study of Mei Yaochen has developed into a kind of systematic specialized knowledge, which reveals the true qualities of the Song poetry of his generation. After a great deal of poetic criticism from the Song dynasty to the Yuan dynasty, to the Ming dynasty and lastly to the Qing dynasty, the study of Mei＇s poetry has obviously undergone sufficient academic textual research, which, in a certain sense, has given his poems a good unscrambling, and directly helped to establish the contemporary research pattern for all the Song poetry. Build on Qian Zhongshu＇s critical thoughts on Song poetry, pay close attention to the intention of his theoretical research, dig deep enough into the poetic history, restore the contemporary thinking pattern in Song-poetry study, focus on the re-emerging of the study of Mei＇s poems and the critical acceptance of them, explore a reasonable way of criticism, and we can find Mei＇s consistent mode of expressing the feelings and acquire a reviewing of his ＂insipid＂ poetic style.