松尾芭蕉俳句中的白色表现及审美情趣研究

Expression of Whiteness in Matsuo Basho's Haiku and a Study of Aesthetic Taste

本研究以松尾芭蕉俳句中的白色表现为视点,从内心情感和审美等角度赏析其俳句中的一些代表性作品,梳理诗人的情感与文艺特征的关系,探析白色表现的影响要素。研究表明,芭蕉通过"白色表现"以喻托手法描绘了真挚和高洁的人性美,又同时以素描手法勾勒出了寂静、旷远、空明的自然美。"白色"是诗人的精神底色,是其禅思禅悟过程中持有的心象之色,是其超凡脱俗精神的外在流露。"白色表现"是芭蕉心性在其艺术作品中的投影,"白色表现"体现了芭蕉俳谐的内在特质和精神。

This study focuses on the expression of whiteness in Matsuo Basho＇s Haiku, analyzes representative masterpieces from different perspectives, such as inner emotion and aesthetics, clarifies the relation between poet＇s emotion and literary characteristics, and explores the influential factors on this expression of whiteness. The study indicates that the author depicts the beauty of human nature-sincere and noble with symbolism-via his expression of whiteness, while at the same time sketching the beauty of nature-serene, wide, boundless, spacious and open. White is the background color of the poet＇s spirit and the color of mental imagery adhering to the process of thinking and understanding Zen, as well as the expression of his other-worldly spirit. The＂expression of whiteness＂is a projection of Basho＇s disposition in his art works, reflecting the inner characteristics and spirits of Basho＇s Haiku.