饶宗颐《秋兴和杜韵》诗学话语分析

Typical Model of Du Fu's Poetry and Comment on Qiuxing he Duyun by Rao Zongyi

和韵是中国古典诗歌写作的重要门径,也是一种不同寻常的诗学接受类型。饶宗颐《秋兴和杜韵》以创作实践的方式凸显如何理解和评价"杜样"这一诗学经典接受问题。"杜样"的理解与评价涉及中国诗学批评、杜诗学研究及当代名家诗学研究等诸多论域,不容小觑。"杜样"内涵,既涉及"杜样"概念的批评文本,又事关具体的诗作文本。就批评言,前代学人意趣各异,所见不一。就诗作言,杜甫《秋兴》八首,悲愁缠绵既不能超脱亦无所寄托,形成苍茫悲凉的风格氛围。饶宗颐《秋兴和杜韵》突破秋兴节侯书写模式,于杜诗的悲凉、义山诗的凄凉之外,别造清凉诗境。综括言之,饶氏和作虽失"杜样",然自有其价值,别具学人兼文士之本色。

It is an important way to imitate the typical works of traditional poetics. Rao Zongyi writed Qiuxing he Duyun by imitating Du Fu's poems,which highlighted the question about poetics acceptance. It's not underestimated how to understand and appreciate the typical model of Du Fu's poems,which involved both criticism essays and poetry creation. For the criticism,former scholars' viewpoints were in disaccord as result of the different purports. For the works,the styles and sentiments are variant between three verses,Du Fu's,Li Shangyin's,and Rao Zongyi's. There is a cool and refreshing realm in Qiuxing he Duyun. Sum up,his work is of own value from scholar and poet though it is not as the typical model of Du Fu's poems.