摘要
"蒙古帝国叙事"是"新时期"以来一个重要的历史文学题材,它不仅得到了蒙古族作家的高度重视,成为"转型期"蒙古族文学重述民族历史、重返本民族文化家园的重要题材,而且也被一些非蒙古族作家青睐,从而产生了一批相关题材的长篇历史和影视作品。本文从叙事手法与文本互性、历史叙事与道德评判、族裔情感与文明互动三个维度切入,考察"蒙古帝国叙事"创作,揭示此类型写作所呈现的中华多民族文化互动的情景,以及其中所包含的更为复杂、微妙的意涵。
Mongolia Empire Narration is an important historical theme since The New Period. It did not only receive the highly attention from Mongolian authors, become the significant subject of Mongolian literature of Transitional Period restating ethnic history and returning ethnic culture,but also gained good graces from some non-Mongolian writers. Therefore,a batch of long historical literary pieces and television works were pro-duced. This article inspects the creative work of Mongolia Empire Narration from three dimensions,which are narrative technique and intertextuality,historical narrative and moral judgment,and ethnic feelings and interactions of civilizations. The circumstances of China's multi-ethnic cultures interaction in these forms of writings and the more complex and subtle implications it contained are revealed in this paper.
出处
《暨南学报(哲学社会科学版)》
CSSCI
北大核心
2015年第8期57-69,164,共13页
Jinan Journal(Philosophy and Social Sciences)
关键词
蒙古帝国叙事
文本互性
中华民族
Mongolia Empire Narration
intertextuality
Chinese ethic peoples