身体的言说:丁玲女性主体性意识的再解读——以《庆云里中的一间小房里》与《我在霞村的时候》为例

Narration of the Body: Revisiting Woman’s Subject Consciousness of Ding Ling: With Special Reference to In a Small House in Qingyunli and When I Was in Xia Village

丁玲的作品《庆云里中的一间小房里》创作于1920年代，阿英是一个通过赤裸裸的世俗追求来体现女性自主意识的形象，《我在霞村的时候》创作于1940年代，讲述抗战时期的贞贞在女性与革命话语之间做出的选择。两部短篇小说都是以妓女为主体从而对自身身体进行言说的短篇小说，尽管这两篇文章分别写于不同的政治环境里，但是将两部放在一起来解读，它们都展现了女性主体意识张扬背后的男性构建的权利话语以及女性的艰难处境，这也是丁玲在整个创作过程中的困惑所在。

Ding Ling’s work In a Small House in Qingyunli, written in1920s, depicts a character A’ying who gives play to the woman’s subject consciousness by naked worldly pursuits;the work When I was in Xia Village, written in 1940s, is about a girl Zhenzhen who makes a choice between female and revolutionary words in the Anti-Japanese War. Both short stories are centered on prostitutes who make narration on their bodies. Though they are written in different political situations, if interpreted together, they both demonstrate male’s construction of power words and the difficult situation of women behind the unreserved displaying of woman’s subject consciousness, which is also the confusion Ding Ling had felt in her writing process.