育于反叛之崇高——埃斯库罗斯笔下普罗米修斯形象探微

Academic Discussion on the Sublime from Rebel——Detailed Analysis on the Figure of Prometheus Described by Aeschylus

埃斯库罗斯的《被缚的普罗米修斯》是希腊悲剧中主体最崇高、风格最雄伟的作品之一。剧中塑造的普罗米修斯形象是早期人类自我意识觉醒的代表,这一形象所蕴含的人之光辉倍受后世推崇。其喻指的人的形象既彰显了人的反叛,又体现了人的崇高。这种反叛的产生与社会文明的进步息息相关,它根源于人对于命运、社会与人的关系的深刻思索;又体现在人与命运、社会、自我的抗争中。

Aesehylus＇s “Prometheus Bound” is one of the Greek tragedies, whose main part is the most noble with the most majestic style. It shapes the image of Prometheus as representation of the awareness of the early human self-con- sciousness. Prometheus, as a man of glory, is highly praised by the posterity and also as an image of a man not only highlights the image of rebellion, but also reflects the lofty status of human being. The rebellion is closely related to the development of social civilization, originated from man＇s deep thinking about the relationship between society and mankind, and mirrored the fights between mankind and their fate, society and themselves.