摘要
在澳大利亚多元文化政策下,离散族裔的身份与认同问题成为其文学批评与文化研究的焦点。同为澳籍华裔的杰出代表,导演托尼·艾雷斯(Tony Ayres)、作家布莱恩·卡斯特罗(Brian Castro)以及文化理论家洪恩美(Ien Ang)分别以电影《意》、小说《上海舞》和学术著作《论不会说中文》等不同体裁的自传体书写方式表达了对华裔离散身份与"中华性"文化认同的不同观点。
Under the Australian multiculturalism policy,the issue of diasporic identity and identification has becoming a focal point in the field of literary criticism and cultural studies. Tony Ayres,Brian Castro and Ien Ang are three outstanding Australians of Chinese descent,who illustrate their different views on diasporic identity and cultural identification respectively through their autobiographic writings: the movie The Home Song Stories,the novel Shanghai Dancing,and the academic book On Not Speaking Chinese:Living Between Asia and the West.
出处
《五邑大学学报(社会科学版)》
2015年第3期56-59,94,共4页
Journal of Wuyi University(Social Sciences Edition)
基金
五邑大学青年科研基金项目"澳籍华裔理论家洪美恩的多元文化思想研究"(批准号:201210230910114)的阶段性研究成果
关键词
离散族裔
身份认同
澳洲华裔
diaspora
identity and identification
Chinese Australians