论中国古典文人戏曲“闪恋闪婚”情节模式

The “Speedy Dating and Flash Marriage” in Chinese Classical Opera

中国古典文人戏曲中"闪恋闪婚"情节的大量出现,是戏曲艺术本体观、叙事文学传统、创作主体心理特征等因素共同作用的结果。在剧作家的非自觉层面,该现象来自于剧作家对戏曲情节的简省化叙述,根源于剧作家"戏本位"观念的缺失。在剧作家的自觉层面,存在三个具有递进关系的因素:"闪恋闪婚"情节具有强烈的超现实化特质,契合了中国古典叙事文学的"传奇"传统;该情节蕴藉了中国古典文人们的隐秘诉求,因此成为剧作家们谱写"传奇"的素材选择;戏曲艺术地位低下而抒情效果良好,是文人们释放隐秘情爱诉求的最主要文艺体裁,"闪恋闪婚"情节由此在戏曲作品中集中出现。

The leading characters always fall in love fleetly and then get married rapidly in the Chinese classical opera. It resulted from the ontology about the Chinese classical opera, the art of narrative and dramatists＇ psychology. To some extent, the dramatist＇ neglect of the story makes them cut the plot, which leads to the illusion that the leading characters get speedy dating and flash marriage. In addition, there are three reasons which play progressive relationship resulting the phenomenon. Firstly, the plot pattern is extraordinary, fitting with the romance. Moreover, the plot pattern symbolizes the private lust of dramatists. Finally, the opera is vulgar, and the dramatists express their private lust.