论李白各体山水诗的艺术渊源及其对传统的发展

Artistic Origin and Development of the Tradition of Landscape Poems of LI Bai

相对王维、孟浩然山水诗的成就主要在五言,高适、岑参、王昌龄等人七言写山水也很少,李白在安史之乱前就已广泛采用五古、五律、五绝、七绝、七言歌行等体裁来表现山水主题,并且取得了很高的艺术成就。从体裁入手考察其山水诗,可以说李白是盛唐诗人中在山水诗创作方面用力最勤、开掘最广、变创最多的诗人。李白各体山水诗都有其独特的渊源与风格特点,在承与变、承与创之间有不同的表现。而总的特点有二:一是充分地表现个性,二是从各自的体裁特点出发,共同体现对音乐性的追求。二者构成李白山水诗不同于盛唐诸家的独特个性,而且对后世山水诗艺术影响深远。

Compared with five-character landscape poems of WANG Wei and MENG Hao-ran, there are very few seven-character landscape poems of GAO Shi, CEN Shen and WANG Chang-ling. However, LI Bai before AN and SHI Riot writes landscape poems with styles such as five- character,five-character and eight-line, five-character and four-line, seven-character and four-line and sevencharacter poems, which achieve greatly artistically. Stylistically speaking, LI Bai explores most hard,extensively and change- fully in the writing of landscape poems in flourishing Tang Dynasty with unique origin and features and with different expression of tradition and innovation. The overall features are： first, they show individuality; secondly, they start from different types of literature and pursue musicality commonly. There contribute to the individuality of landscape poems of LI Bai and cast lasting influence on the posterity.