摘要
20世纪的中国小说塑造了一系列具有典型意义的长女形象。这些长女在宗法制文化和生活压力的影响下,出于对家族的母性情怀,往往产生一种长女情结,进而为家族事业承担责任、牺牲自我。王华的新作《花河》从人性恶的角度去刻画长女白芍的形象,使白芍不仅具有长女所需的精神气质,还具有现代女性意识觉醒的文化心理特征。与此同时,这种长女情结和女性意识的觉醒也折射出对男权的依附和内化。
The 20^th Century Chinese writers portrayed a series of typical firstborn daughter images, the eldest daughter in the patriarchal culture tended to produce an eldest daughter complex, and the spirit of self sacrifice for the family. Wang Hua＇ s new novel Flower River portrays the eldest daughter-Peony from the evil of human nature, making Peony not only have the eldest daughter＇s spiritual temperament, also the awakening trait of modern female consciousness. At the same time, the complex of the eldest daughter also reflects the dependence on male power, the development of the modem female culture is still in the embryonic stage.
出处
《洛阳师范学院学报》
2015年第7期66-69,共4页
Journal of Luoyang Normal University
关键词
长女情结
《花河》
人性恶
女性意识
男权
complex of the eldest daughter
Flower River
evil human nature
female consciousness
male power
