晚唐咏物诗的声文之美与形文之美

The Beauty of Sound Pattern and Shape Pattern of the Yongwu Poetry in the Late-Tang Dynasty

"声文"和"形文"是刘勰在《文心雕龙·情采》篇阐述"立文之道"时提出的两个概念。声文之美指向音声的和谐美感层面,形文之美指向辞藻的赋色造形层面。晚唐诗人咏物,既注重从声律的拗救、用韵的洪细开合、声调的平仄错综和音节的重叠呼应等方面展现诗歌的音乐性美感;又擅长以镜头式书写构置画面,并以对偶的格律形式表现体物的内容,从藻饰和构形两方面体现形文之美的核心要求。声情并茂,结藻精美,晚唐咏物诗正是通过音与形的共同作用彰显出情韵之美。

Liu Xie put forward the two concepts of ＂sound pattern＂ and ＂shape pattern＂ in the ＂emotion and diction＂ . The beauty of sound pattern is point to the pleasing rhyming level, and the beauty of pattern is point to the colorful rhetoric level. This thesis uses the text of Yongwu Poetry in the Tang Dynasty as a medium, then narrates the two concepts respectively： it analyzes the beauty of pattern from the sound law, the rhyme, the tone and the syllable~ and also analyzes the beauty of shape Late- sound shape pattern from is constituted language and Poetry in the the formation of the poetic picture and antithetical parallelism. The aesthetic effects which by the sound and shape shows up in the Yongwu Poetry, which can both beautify poetry conducive emotional expression. Because of these interaction, the affective beauty of Yongwu Late-Tang Dynasty has been more prominent.