后中国经验的症候式表达——以徐则臣的小说为例

Symptomatic Expression of Post China Experience——Illustrated by the Case of XU Ze-chen's Novels

徐则臣的文学创作始于20世纪90年代,其书写总是连接着当前社会的精神血缘,以故事中的人物镜像坦诚剖析自我灵魂。徐则臣的作品大多于故乡"花街"和都市"北京"这两个空间展开,在独特的时空形式中形成了"花街叙事"和"京漂叙事"两大系列。他用一代人成长和漂泊的文学母题叩问着这个时代的精神困境。拒绝失语的"70后"作家群体依附于个人成长经验和对当下生活的现实感受,构筑起属于自己的文学审美世界,完成着对后中国经验的症候式表达。对徐则臣的创作范式进行剖析,恰也可以触及"70后"作家群体的写作伦理。

XU Zechen＇ s literary creation began in the 1990s. His narrative is always associated with the spiritof contemporary society kinship ties. He frankly analyzes self-soul with the characters in the stories as a mirror. In XU＇ s novels, most stories took place in Flower Street and Beijing. His novels can be divided into ＂Flower Street Narrative＂ and ＂Beijing Drift Narrative＂ under the unique space-time form. In both series of novels, XU reviews the spiritual crisis of the times with the growth and drift of the generation. These are XU＇ s literary motif. These writers born in 1970s refused to aphasia, they have built a unique literary world attached to personal growth experi- ence and real life experience. They are expressing the Post China Experience. Combing XU＇ s writing paradigm ex-actly touches the writing ethics of the writers born in 1970s.